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Frida Kahlo was a Mexican painter in the early 20th century whose life and works have inspired millions. A fiercely independent and incredibly talented painter, Kahlo’s paintings were reflections of her life, loves, struggles and, most intimately, her identity. She is a proto-feminist icon and has paved the way for female artists to be regarded equally alongside their male counterparts.
Most famous for her self portraits, Kalho’s paintings are usually categorised under surrealism and magical realism. Her works also featured recurring motifs such as ribbons that were representative of her understanding of motherhood, hair that represented her feminist ideals, and animals that she thought of as her children as she was unable to give birth despite multiple attempts. She spent much of her career overshadowed by her husband, Diego Rivera, one of Mexico’s most famous painters of the time. His large frescos helped establish the Mexican mural movement and it wasn’t until the 1970s, 16 years after Kahlo’s death, that her works were rediscovered by art historians and political activists. By the early 1990s she had been established as an icon for feminism and the LGBTQ movement.
Kahlo’s life was characterised by numerous struggles and she often found herself ill and alone. She suffered from polio as a child, was in a horrific traffic accident when she was eighteen years old and also suffered multiple miscarriages throughout her life. These experiences intimately influenced her art and can be seen throughout her works.
Arguably her most iconic work is “Self Portrait with Cropped Hair” which Kahlo painted in 1940, one month after her divorce with Rivera. The painting features the artist seated staring directly at the viewer with a pair of scissors in her right hand while locks of her own freshly cut hair are strewn around her on the floor. She is wearing an oversized black mens suit with earrings and petite high heeled shoes. Atop the painting are lyrics from a popular Mexican folk song. The painting represents her divorce not only from her husband but also from her forced identity as little more than the wife of a famous artist. As Rivera always adored her long hair and colourful Mexican dresses she often wore, Kahlo’s act of changing her hairstyle into a masculine short crop and donning an ill fitting men’s suit communicates her desire to go against these feminine stereotypes and assert her own independence as an individual. It is also widely speculated that the suit itself is one that Rivera often wore and this symbolizes her assertion that she is also an artist worthy of recognition in her own right. The song lyrics translated read “Look, if I loved you it was because of your hair. Now that you are without hair, I don’t love you anymore.” The work is a powerful portrayal of the pain of separation from a loved one along with the struggle of being recognised as a female artist in the 1940s.
Gratitude isn’t very hard a concept to grasp. As children, we’re given a 360 degree education of it, with the hope that we will practice it as we grow and evolve into ‘responsible adults’. Still, while some individuals do practice being thankful, there’s others who lose their understanding of it. It’s safe to say that our first step to a less shallow existence could be to consciously and mindfully exercise a simple ‘Thank you’ as part of our everyday lives.
Grazie Infinite, a collection of artworks by artist Shraddha Rathi, is one such conscious attempt to further embrace the wonders of being thankful. Having bumped into the idea while in New York, the artist had an instant appreciation of it and took it forward with a sense of purpose. Using wood and steel as her canvas, Shraddha’s work includes park benches, swings and a see-saw with carefully carved out text on them, with the subject being none other than “Gratitude”.
Photographs in monochrome are a real standout from the collection. Inspired by New York’s Central Park and the personalized plaques on the park benches, as part of the Adopt-a-Bench program, the artist has photographed these precious notes of gratitude as part of Grazie Infinite. Through these images, and the heart-warming words inscribed on the plaques, the artist has managed to reveal to her audience the depth of the matter in focus here - Gratitude. The joy of seeing a mere line or two inscribed and permanently sealed for you by a loved one is enough to help one realize that they will never be alone and will be forever loved.
As you take yourself through this collection, one cannot help but notice a lone piece of art that may seem like the oddball of the party. Stay curious enough and you’ll realize that this is a conceptual artwork of Bengaluru’s beloved park Lal Bagh. According to Shraddha, and I’m sure we’d all agree, it shouldn’t be so hard for us to show the same level of gratitude to the parks and spaces in our own city. In fact, we should be inspired to do a lot more.
A sweet touch to this collection was the projection of a number of gratitude notes that were sent to the artist as a response to her artwork from people far and wide. Again, these contain small heartfelt messages to friends and loved ones. Clearly, there’s people out there who think the quality of thanking and appreciating is the need of the hour.
There’s not much we do without our hands, but that doesn’t mean the lack of it would leave one completed disabled. Astha, a non-profit organization, has come out to prove just this with ‘More Than Hands’, an exhibition showcasing paintings by artists Manjibhai Ramani and Manoj Bhingare, both of whom lost both their hands in accidents. Both artists, the very determined men that they are, didn’t let this apparent setback stop them from pursuing a career in fine arts.
After completing a five-year course in arts, Manjibhai made a name for himself as a talented artist who has been a mouth-painter since 1978. Having studies natural, figurative, abstract and portrait painting, the artist has been contributed and participated in many exhibition and has even gone solo. The artist also teaches fine arts and strongly believes that failure is a stepping stone to success.
The artist was only 10 years old when he lost his hands in an accident. Although initially distraught, the talent went on to complete his schooling and got his degree in fine arts. Today, Manoj also teaches art and is determined to pass on his skills to his students. Through his life, the artist’s goal was to overcome his handicap, and this dream of his took him to the extent of winning the Rashtriya Balashri Award for Painting presented to him at the Rashtrapati Bhavan.
The works of these artists is a strong reminder to every one of us that, regardless of what we might think we are capable of, and limiting ourselves, with a little faith, hardwork and passion, even the otherwise seemingly impossible dreams we may have, can come true.